Shenston Grant Opens The Dressing Room Door
A Broadway insider turns decades of backstage secrets into a funny, affectionate theatrical memoir.

The dressing-room door has a way of changing the air. On one side, an audience waits for illusion: chandeliers, ballads, applause, perfection. On the other side, wigs are pinned, hems are rescued, egos are soothed, jokes fly, nerves flare, and entire lives unfold in the narrow minutes before curtain. For Shenston Grant, known to nearly everyone as Stu, that hidden world became a second home. Remember… I’ve Seen You Naked: A Backstage Memoir now opens that door with wit, candor, and deep affection for the theatrical family Grant spent much of his life among.
Shenston Grant Backstage Memoir Begins On Stage
Before Grant became the person trusted to fix a wig, repair a costume, calm a performer, or quietly keep a national tour moving through another strange city, he knew what it meant to stand under the lights himself. His career began not in the shadows, but in the full glare of performance.
He played the Leading Player in Pippin, a role that earned him Best Actor in a Musical. He also appeared as Bobby in Crazy for You, Jesus in Godspell, and Seymour in Little Shop of Horrors. Those roles demanded timing, presence, vulnerability, and stamina. They also gave him an intimate understanding of what performers need before they take the stage and what they carry with them after the curtain falls.
Recognition followed. Grant received Sanford Director Entertainer of the Year and the Crystal Scissors Award. His creative work extended beyond performance as well. He earned two awards for set design, and his design work for the Portland Rose Festival received a unanimous judges’ selection as a favorite. Long before he wrote a memoir, Grant was already collecting perspectives: actor, designer, maker, observer, problem-solver.
That range matters. Many theatre memoirs look back from center stage, where the spotlight flatters and the applause arrives on cue. Grant’s point of view is rarer. He has lived the stage as an artist and the backstage corridor as a working professional. He knows the glamour, but he also knows the glue, pins, sweat, and gallows humor that hold glamour together.

From Spotlight To Stage Door
The turning point in Grant’s journey was not a retreat from theatre. It was a move deeper into it. Over nearly two decades, he worked in hair, makeup, and wardrobe on Broadway national tours across North America. His credits read like a map of modern musical theatre: The Phantom of the Opera, RENT, Dreamgirls, Cinderella, Jekyll & Hyde, Footloose, My Fair Lady, Grease, State Fair, Beauty and the Beast, and Little Women. Grant was contracted as Associate Hair and Wig Designer for the national tour of Lincoln Center Theater’s production of The Light in the Piazza.
He spent five years with The Phantom of the Opera, a production where precision is not ornamental. It is essential. He also spent two years as personal makeup artist to the legendary Eartha Kitt, an experience that placed him close to a performer whose presence, discipline, and mystique needed no exaggeration.
Touring theatre creates a peculiar form of intimacy. Cast and crew move from city to city, building temporary homes in dressing rooms, hotels, buses, restaurants, and backstage hallways. Ordinary rules bend under fatigue, adrenaline, homesickness, beauty, ambition, and boredom. Friendships become fierce. Practical jokes become survival tools. Disasters become stories before the laundry is even finished.
Grant saw all of it from a place few audience members imagine. He saw the moments before entrances and the moments after ovations, when public triumph turns back into private humanity. He saw stars, swings, dressers, musicians, stagehands, and road warriors perform the ritual of making a show happen eight times a week, often while managing exhaustion, heartbreak, illness, or absurdity.
That is the rich soil of Remember... I’ve Seen You Naked: A Backstage Memoir. The title is provocative, but the heart of the book is not shock for its own sake. It is recognition. Theatre people often meet each other in states of transformation, half-dressed, half-made-up, half-exhausted, and fully committed to the strange miracle of the next performance. Grant writes from inside that culture, not as an intruder peering in.
Some stories were never meant to leave the dressing room. Yet after decades of carrying them, Grant has found a way to let them out with humor and care.

Why This Story Opens A Hidden World
In 2023, a ladder accident caused a serious hand injury and unexpectedly closed a major chapter of Grant’s professional backstage life. For a working theatre artist, the hand is not merely useful. It is memory, craft, speed, instinct, and livelihood. The accident forced a pause, and in that pause, another form of work became possible.
Grant began looking back at the decades he had spent watching the theatre world from every angle. The performer remembered the pressure of the spotlight. The designer remembered the architecture of illusion. The backstage professional remembered the whispered panic, the outrageous punch lines, the near misses, the unlikely tenderness, and the moments so strange they could only happen on the road.
The result is an author’s voice that feels both mischievous and humane. Dr. Poison Waters, the celebrated Portland entertainer who wrote the foreword, describes reading the memoir as “like having a cocktail with a very scandalous friend.” Tony Award-winning actress Kelli O’Hara praises Grant as “a really funny and clever writer” and calls the memoir “Hilarious!”
Those endorsements point to the book’s deeper appeal. This is not a conventional career recap, arranged like a résumé with better lighting. It is a guided tour through a world built on closeness, chaos, and trust. It brings readers into dressing rooms, hotels, tour buses, and corridors where the public face of Broadway gives way to the human machinery beneath it.
The Author’s Edition adds another layer. With more than 100 personal photographs from Grant’s theatrical life, it gives readers a visual record of people, productions, places, and moments that shaped the stories. For theatre lovers, that archive offers texture. For readers who have never stood backstage, it offers proof that the most vivid drama does not always happen in front of the footlights.
What makes Remember… I’ve Seen You Naked distinctive is not only access, but perspective. Grant does not write as a distant gossip merchant or a star polishing his own legend. He writes as someone who helped build the illusion, lived inside the touring machine, and loved the unruly people who kept it moving. Put more simply: he didn’t interview these people. He worked with them, traveled with them, celebrated with them—and occasionally slept with people he probably shouldn’t have. He wasn’t taking notes from the sidelines. He was there. His irreverence works because it is anchored in loyalty. The jokes land because they come from experience. The candor feels earned because he was there.
There is also generosity in the project. Proceeds from the book benefit CAP Northwest and Camp Kids Connection, adding a service-minded purpose to a memoir already rooted in community. That detail fits the spirit of the stage world Grant describes: individual brilliance matters, but the work depends on the ensemble.
For readers, the invitation is simple. If you have ever wondered what happens after the curtain falls, if you have ever wanted to know what touring Broadway feels like after the applause fades, or if you simply love stories told by someone with timing, nerve, and a front-row seat to backstage life, Grant is ready to take you past the lobby and through the door.
Explore More About Shenston Grant
Connect with Shenston Grant at RememberNaked.com, on Instagram, TikTok, and YouTube.


